Seedance 2.0 Prompt Library

A surreal battlefield in the sky: floating rock islands drifting through a thunderstorm, clouds swirling below like an ocean. The masked ronin dashes across the drifting platforms, pursued by a colossal winged beast whose chest is a swirling vortex of storm clouds and lightning. The camera hurtles from island to island, struggling to keep up as rocks tilt, spin, and crumble away beneath them. Every wingbeat sends shockwaves through the air, shaking the frame and blowing debris and rain straight into the viewer’s face. Rapid handheld cuts capture the ronin leaping impossible gaps, sword carving arcs of light that briefly cut through the darkness. The finale shows the camera diving behind him as he jumps off the last crumbling rock, riding a bolt of lightning directly into the monster’s chest vortex with a final, all-or-nothing slash that explodes the storm from within and clears the sky in a blinding flash. 720p 16:9 15 seconds

Live-Action Manga Adaptation · Breathing Style Decisive Battle (15 seconds · Ultra-Burning Special Effects Version) 【Core Focus】: Water Breathing (Blue Water Dragon) VS Thunder Breathing (Golden Lightning), live-action extreme speed duel. 【Style】: Hollywood live-action manga adaptation film quality, dark samurai style, 4K ultra-clear, extreme quick cuts, particle light effects explosion, no gore. 【Duration】: 15 seconds 【Scene】: Misty forest under the moonlight, muddy ground, falling leaves. [00:00-00:05] Shot 1: Water Melody Prelude · Starting Form (Sense of Charging) Visuals: A young samurai wearing a green and black checkered haori (jacket), lowers his center of gravity under the moonlight, holding his sword with both hands. Action: He takes a deep breath, and the surrounding air instantly solidifies. As he draws his sword, a giant blue water dragon, condensed from high-pressure water flow, appears out of thin air, rotating rapidly around his body and blade, emitting the roar of flowing water. Special Effects Details: The water flow has a realistic sense of splashing, illuminating the dark forest. [00:05-00:10] Shot 2: Thunder Flash · Advance (Sense of Extreme Speed) Visuals: The opponent across from him, a blonde swordsman wearing a yellow triangular patterned haori, lowers his body extremely low, taking the stance of an Iaijutsu (sword drawing technique). Action: The ground suddenly explodes. His entire body instantly transforms into a dazzling golden lightning afterimage, rapidly refracting and advancing in a 'Z' shape through the trees at a speed invisible to the naked eye. Special Effects Details: Golden electric arcs and scorched fallen leaves remain in the places he passes. [00:10-00:15] Shot 3: Water-Thunder Collision · Final Sound (Clash of Ultimate Moves) Visuals: Extreme speed head-on collision. The young samurai swings the giant blue water dragon down to meet the attack, and the blonde swordsman, transformed into lightning, crashes into it. Action: The two swords violently collide in the center of the frame. Special Effects Spectacle: The blue water dragon and the golden lightning instantly explode, forming a massive water-thunder energy storm that spreads outward. The surrounding large trees are snapped in half by the energy wave, and mud, water, and light obscure the camera. The scene ends in an extremely dazzling blue, yellow, and white light.

[Style] Pseudo-documentary (Vlog Style), hyperrealism, fixed camera real-shot feel, natural light, with a touch of suspense and horror. [Duration] 15 seconds [Protagonist (Remember to upload reference image)] A sexy young woman preparing to wash up and go to bed in front of her bathroom sink. [00:00-00:06] Shot 1: Normalcy. Scene: In front of a regular large bathroom mirror. Action: The protagonist is brushing her teeth, mouth full of foam. She makes various funny faces at the mirror while brushing (winking and squinting). Key Detail: The reflection in the mirror is completely normal and synchronized with her actions. [00:06-00:11] Shot 2: The Glitch. Action: The protagonist finishes brushing, spits out the foam, and turns to leave the bathroom. High-Energy Moment (Core Plot Point): Just as the protagonist's real body turns and leaves the mirror frame, the “reflection” in the mirror **does not move**! The “reflection” remains in the brushing posture, even smirking and raising an eyebrow at the camera, staying for a full 2 seconds before suddenly “screen glitching” in panic to catch up with the body's action and disappear. Director's Note: Must create an extremely realistic sense of “network delay,” giving the reflection a feeling of independent consciousness. [00:11-00:15] Shot 3: The Punchline. Action: The protagonist, who has reached the door, seems to sense something is wrong and quickly turns back to look at the mirror. Result: The mirror has completely returned to normal, empty, only reflecting the opposite wall. The protagonist looks confused and scared, glances around the room, and shows a horrified expression. The frame freezes on the protagonist's bewildered face (horror movie effect).

Action sequence of top-tier fighter pilot doing airborne combat in modern fighter jets. Multiple shots of ultra-fast and intense aerial combat, switching to close-up profile shots of the pilots' reactions, their hands doing gear/switch changes, and

Handheld shot circling two boxers practice sparring in a gritty gym, purposefully missing each other with their swings. Sweat droplets, sharp impacts, breathing intensity. Shallow depth of field, practical lighting, visceral realism, stable identity. Duration: 10s. Aspect ratio: 16:9. Photoreal cinematic. Single shot unless specified. Avoid text, captions, watermarks, logos. Stress camera movement: smooth parallax, consistent objects, stable faces; no text

Scene 1: Galloping Horse + Enthusiastic Crowd Approaching (0:00-0:08, 8 seconds) • Location: Main winding road in a Vancouver luxury residential area (wide asphalt road, large detached mansions on both sides, evergreen pines covered with light snow) • Subject: A rider in a dark suit galloping at full speed on a white horse, the horse's hooves airborne, mane flying • Environment: Light snow falling, mansions flashing past, outline of the North Shore mountains and ocean in the distance • Crowd: A large group of enthusiastic supporters suddenly appears ahead (diverse young people), waving yellow dragon flags + “Nothing” signs, shouting and cheering, surging towards the rider • Camera: Medium-speed frontal follow shot → Switches to rider's perspective (POV), crowd getting closer • Atmosphere: Climax continues, the rider smiles confidently, preparing to pull the reins (hand already raised towards the reins, relaxed posture, corner of the mouth upturned) Scene 2: Reversal—Crowd Passes Straight Through, Ignoring the Rider (0:08-0:14, 6 seconds) • Location: Same road, a Chinese steamed bun shop appears around the corner (sign “Qingfeng Baozi Shop,” warm lighting, simple plastic tables and chairs in the outdoor area, steam rising) • Subject: The rider is about to wave in greeting, but the crowd ignores him, rushing past him on both sides/around him, heading to queue/surge into the bun shop entrance • Action: The rider's smile freezes, his hand stops mid-air, his expression changes from anticipation to shock/confusion (wind messes up his hair, the hem of his suit flutters) • Details: The crowd shouts “Baozi! Baozi!”, yellow dragon flags wave chaotically, the “Nothing” sign is pushed aside; the white horse is forced to halt in small steps or turn sideways to avoid them • Camera: Quick pan/wide-angle shot, showing the crowd flowing like a tide around the rider (the horse is “passed through” in the center of the frame), the rider is left alone in the middle • Atmosphere: Absurd reversal, awkward confusion, black humor climax Scene 3: Eating Buns and Dialogue Outside the Bun Shop (0:14-0:20, 6 seconds) • Location: Outdoor area of Qingfeng Baozi Shop (plastic tables and chairs, steaming baskets, luxury residential road in the background) • Subject: Two ordinary young people (wearing down jackets) sitting in the queue seats, eating buns heartily • Action: One person takes a bite of the bun, closes their eyes in satisfaction, “Ah, so fragrant.” (Close-up shot of the bun being bitten open, showing steam/juice) • Dialogue: First person (eating while looking towards the road): Who is that guy? Second person (thoughtfully, chewing the bun, looking into the distance): Nothing. • Camera: Medium shot of two people → Slight push-in on facial expressions (satisfied + calm), the rider's receding figure is vaguely visible in the background • Atmosphere: Down-to-earth, contrasting cuteness, referencing the theme “nothing” Scene 4: Rider Self-Mockingly Continues Galloping Away (0:20-0:30, 10 seconds) • Location: Wide, extending road in the luxury residential area (straight ahead, mansions gradually receding) • Subject: The rider on the horse, his expression changing from confusion to a confident smile • Action: He reaches into his suit breast pocket, pulls out a packaged sandwich, takes a big bite (juice/crumbs splatter), then shakes his head dashingly, lightly taps the white horse with the reins, and continues galloping forward • Environment: The mansion complex shrinks in the background, the evergreen trees on both sides of the road and the supporters (now stopped) can only be seen waving from afar, the Vancouver-style mountain and sea skyline in the distance (snowy and hazy) • Details: The white horse's tail swings, hoof prints are left on the lightly snow-covered road, the bite mark on the sandwich is clear, the rider smiles confidently • Camera: From close-up (sandwich bite detail) → Slowly pulls back to an extreme long shot, low-angle perspective, emphasizing the “don't care” sense of isolated heroism; finally fades out • Atmosphere: Self-mocking yet dashing, heroic and unrestrained, symbolic ending (“Nothing” can still move forward)

Will smith fighting a spaghetti monster, Epic 80s action movie scene , industrial factory setting, intense fight choreography, dramatic camera cuts, cinematic lighting, slow motion moments, practical effects, film grain texture, high tension

The numbers in【@Image 1】represents row numbers. The numbers are for references only and should be removed in the video. All references must maintain 100% of its art style and character traits. Characters of differing art styles walk takes their seats in their respective seats in the cabin. 【@Image 2】sits on the left seat in row 1 as she says happily, "My seat is 1A." 【@Image 3】sits on the right seat in row 2 as she says sadly in Japanese, "My seat is 2C." 【 @Image 4】sits on the right seat in row 3 as she says fearfully in mandarin, "My seat is 3B." 【@Image 5】sits on the left seat in row 4 as she says angerly in Spanish, "My seat is 4D." 【@Image 6】sits on the left seat in row 5 as she says digusted in cantonese, "My seat is 5A." 【@Image 7】sits on the right seat in row 6 as she franticly yells in korean, "My seat is 6D." Stationary camera. One continuous shot as characters walk in and takes their seats one after another.